34. Guilty of Good Taste

The fusuma partitions, which separate the room Ozawa, the suit, and I are sitting in from the other rooms of my apartment, have all been thrown wide open such that I can see most of my apartment from where I am. Plainclothes officers mill about, going through my things with gloved hands. Two cops poke their fingers into the pockets of the clothes hanging in the closet, while others open the baskets and containers I have on the bookshelf in the living room.

Another cop—it’s hard to keep them straight—comes up to me and asks, “Who do you live with?”

“I live alone.”

“Oh? Why have you got two bicycles, then?”

“I know people who’ve got three or more cars . . .”

He makes a notation in his book and walks away.

 

I’ve never been the kind of person to harbor a blanket contempt for law enforcement the way, for instance, my friend dé Dale does, but as I watch these matori agents search my apartment I can’t help being reminded of the Keystone Kops. I get the impression that they are just as bewildered as I am. For one thing, they don’t seem to know what they are searching for.

A cop venturing out onto the balcony exclaims, “Hey guys, check this out!” Curious policemen gravitate towards the balcony. “He’s got bamboo and hydrangea out here.”

“And a Japanese maple tree!” says another. “Well, I’ll be!”

They have me there.

Where most Japanese have laundry racks and bags of recyclables, I do indeed have two thickets of black bamboo growing on my balcony and a number of hydrangea of varying colors, which are now in full bloom. The leaves of the Japanese maple still has that fresh green hue that I love. When the afternoon sun shines on them, the bedroom fills with a comfortable viridescent glow. The morning glories I planted only a few weeks ago are just starting to wind their way up a railing and bamboo trellis that I built in a rare fit of frenetic activity only a week ago.

On the northern half of the balcony—the part you can see from my Japanese-styled bedroom with its antique tansu chest of drawers—I have arranged plants typically found in Japanese gardens. The other half of the balcony, visible from where Ozawa, the older cop in the suit, and I are sitting, is more Mediterranean in theme with a palm tree, bougainvillea and herbs such as lavender and rosemary. I also have deck chairs and a large parasol.

If they were to charge me with having good taste and a green thumb, then I am, beyond the shadow of doubt, guilty.


The first posting/chapter in this series can be found here.

Rokuban: Too Close to the Sun and other works are available in e-book form and paperback at Amazon.